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Man Ray’s letter to Knud Merrild

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I have been doing some reading on Man Ray recently- he is an artist known to most photographers for his pioneering Rayograms and solarisation and if, like me you trained in photography pre-digital days you would have experimented with these techniques in the darkroom.

The quote above is from a letter Man Ray wrote to an artist friend who’s work he greatly admired. Knud Merrild was a Dutch post-surrealist and modernist artist who ended up in California the same time as May Ray (who fled Paris in August 1940). Merrild’s work was bought and admired by several great artists and writers but he never gained the fame and notoriety of his contemporaries. He suffered a heart attack and returned to Denmark where he died in 1954.

Recently there has been much press about the cut in arts funding across the whole of the UK and It’s got me to thinking about how little the arts are valued within modern society- I mean good art- art that makes you think and feel emotion and want to do and try harder in your own practice- not the insipid zombie art people buy to match their sofas, or the kind of art that is all about the ego of the artist (I still long for the day when we have a row of plaster cast dicks from all of the well-known artists still alive lined up on pedestals in order of size from small to large and the largest one gets to be ‘top artist of the world’).

I like this quote because it offers hope and that is something all artists need to keep going- without hope there is nothing as an artist. I know we need it across every facet of life but it is the one thing that keeps me going- the idea that the ‘thing’ I am creating at that present moment will give me satisfaction and, in turn, perhaps inspire others, provoke an emotion in them or change how they think or feel about a certain something.  But I also like the fact that Man Ray uses the word ‘illusion’ as if Merrild is creating some sort of magical world (or personality). Like a great author, Man Ray is lost in Merrild’s work- the illusion has taken hold and is all-encompasing to the point of obsession. I’ve had a few art obsessions – most recently travelling to Vienna to see Klimt’s The Kiss and while there discovering the Striking Heads of Franz Xaver Messerschmidt- all these journeys in art, where just reading a few lines about a certain artist takes me deeper and deeper in to a journey.

But back to Man Ray and his love of Merrild’s work. We do not compliment each other enough or reward ourselves with a moment of happiness before moving on to our next creative obsession. It doesn’t matter that the world has not sat up and taken note of our latest creative outpouring. What is important is the journey and the acknowledgement from those who get it- whose opinion is treasured (not friends- they will always tell you they like it with little critical discussion). I can imagine Merrild’s happiness at receiving this letter from Man Ray and the impact it potentially had on his work- how such a letter could push his work on further and inspire him to keep going.

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Heartlands Project

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I was commissioned to develop a project with two primary 7 classes from Whitburn which took as it’s topic the Heartlands development. This development, just outside Whitburn, is currently the largest development project in Britain. Taking the history and surroundings of this site as inspiration my brief was to create a full day’s workshop with half of the day taking place on site and the other half back in the classroom.  The difficulties lay in relying upon the Scottish weather, class sizes and access to enough of the site to be able to produce a set of good quality, varied images.

I chose to focus my attentions on the beech trees – one in particular which you can see above. I used a digital projector to create a template of this tree on to A0 mount board. The children would create a collage of lots of small photographs taken during their visit, printed on to A4 sticker paper, cut up and stuck on to the Beech tree template.

We could not have asked for better weather during the two school’s visits allowing us to wander the site taking a variety of images. The children were asked to focus their attentions to photographing to specific colours; brown, green, grey, blue and white.

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The children really enjoyed taking their pictures and learning the geology of rocks on the site, they listened intently to Alex Muirhead, Development Director of the site.

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After their site visit the children returned to their school where I joined them and we began printing their photographs out on to contact sheets. They were encouraged to choose a job suited to their skills; cutting out the pictures, dividing them in to the separate colours, helping with the printing, taking the sticky backs off the prints and sticking them down.

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We almost finished their collage! The class teachers were happy to finish their collages in class next week but below is an (almost) finished collage. The pupils and teachers alike were very happy with their work, which will go on display at a sharing day at Whitburn High School in September so I hope to be able to post photographs of the finished tree collages. 

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This project was successful on many levels not least of all because the children learned new photography skills, gained confidence in their creativity, worked as a team to produce a piece of work and of course built upon their knowledge of the Heartlands development.