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my history is not important

I have been working through in Livingston recently with a bunch of young folk. This is a picture of Chris who attended all the sessions. I liked Chris- he was a nice lad. He has hopes for his future and is looking to get a job soon to support himself and his girlfriend. I admire Chris- I don’t know much about him, I just took him as I found him, as I do with all the participants I work with. One of the most important things I do in my work with young folk is to give them a safe haven to express themselves creatively and without prejudice. Who or what Chris is, is of little importance to me. My job is to help him increase his soft skills and express himself, not to help him solve his problems. I know the group he’s attached to and like many young folk he finds it hard to listen and concentrate but when we go out taking photographs he comes in to his own. The pleasure he gets from composing, taking and then looking at his photographs pushes him on to take more photographs, to take his time, to come up with more ideas, and this is infectious. He’s an alpha male and so other members of the group start to join in…
This group wanted to look at showing young folk in Livingston in a positive light, which they did successfully with their work which I will post at a later date, but through their less formal photographic works they have showed themselves to be caring, sensitive, attentive and creative. Livingston can get a bad rap from folk but their photographs show it to be rather idyllic in some respects. I show them how to find, and compose beauty- and perhaps for the first time, they are looking and seeing things a little differently…

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Inspiration takes many forms and hits at any time…

Yesterday I was working through in Falkirk with a group of young people about to start high school. One of the boys was very keen to have his photograph taken. I’ve never been that keen on photographing people facing me smiling and moreover it’s not easy to gain permissions to use images of children and young people within the public sphere. It was a beautiful sunny day and the clouds moved quickly across the sky. The light hitting the glass panels of the building was the perfect backdrop to shoot against- allowing me to isolate subjects. I photographed the first boy, and loved the quality of the image so I did something rather out of character, and asked some of the other young folk if they would like their to have their photograph taken. I am painfully aware of the power I hold in my hand each time I raise my camera to photograph a person and this occasion was no exception.But by using the reflective qualities of the glass I allowed my subjects to be completely in charge of their pose and how they chose to be represented.
I love the colours, and the poses in these photographs, and it’s given me inspiration to continue shooting anonymous portraits with the full consent and control of my subjects…