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The Disney Dogs

This group wrote a lovely story which i have published below. As you can see it’s quite a long story but as they wrote it it just got better and better and really highlights the children’s talents for creativity and imagination- i think it also demonstrates how it’s a fairly hands-off approach to their writing and image editing…

disney dogs

disney dogs 1

Below are some of the additional images from the Disney Dogs shoot- these pictures just make me smile- so much comedy and fun from this group…

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Connect by Disney Dogs
Connect by Disney Dogs
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Talking Pictures, World Wide Webbers

For this post i would like to talk about the writing element to the project. I am not a writer by any means but the writing was given as much time as the photographs, with much assistance from the teachers. After a class discussion about photography we introduced the project itself. Below is the information sheet sent to teaching staff prior to this lesson. After several meetings and emails i had a good understanding of what we could achieve and this allowed me to accurately research and then inform teaching staff;

TALKING PICTURES

PICTURE MAKING WITH WRITING AND CRITICAL THINKING

TO BUILD ON INFORMATION CHILDREN ALREADY NATURALLY POSSESS

TO INCREASE LITERACY THROUGH PHOTOGRAPHY

We will learn how to use photography to illustrate our stories

We will use photography to show a range of human emotions

We will learn camera techniques to introduce light and darkness, to give mood and emotion to our pictures which will illuminate our stories

 We will learn how to capture movement with our cameras

 We will learn how to take better pictures

 Inspire, inform, connect, values for schools, determination, resilience, excellence, community spirit, confidence, leadership, communication, peace, understanding

 We will look at the skills required for each of the sports in the Games and how these are different for a runner compared to a weightlifter compared to a shooter

 We will look at the skills required to become a world-class athlete;

Determination, stamina, confidence, state of mind, diet, training programme

 We will find stories of past Commonwealth games in Scotland (Edinburgh 1970 & 1986)

 We will look to develop our own sport for inclusion in the Commonwealth games which takes it’s inspiration from what we have around us

 We will look at the theatre, drama and spectacle in sporting events

 We will look to the animal kingdom for comparisons in human athletes

 We will look at the cult of winning prizes- is it winning or taking part? What about those who come second? Or third?

 We will think about what equipment is used, how it is made and by whom

 We will look at the human body and it’s capapbilities

 We will look at sport as a tool for revolution

 We will try to imagine how it feels to be at the Games;

Who wins

Who comes second

Who has trained hard

Who have travelled very far to be here

All the writing created by the groups was inspired by the above. The main thing for me was to try and have them see past the obvious Hussein Bolt runs 100m race and wins a gold medal. The children’s imaginitive ideas far surpassed my expectations. They would spend a few hours with me creating their ideas using mind-maps and then writing up their stories on the computer, and adding their proposed image ideas. I did not interfere with their writing process, and the children were more than adept and confident at managing their writing on their own- they actually informed me! I learned about ‘wow’ words for starters!!

As an example, here are the World-Wide Webbers making their mind-map for their idea of the Games being open to people of varying ability…

World Wide Webbers writing their story “My Gran”…

Once the children have written up their word document of story/image/props list/list of tasks i email it to their teacher who then works with the children to ‘upscale’ their story. I provided nice heavy paper and writing pens for the children to write their stories up ready for me to scan and lay on to their images in Photoshop. Below is the World Wide Webbers written text without any editing in Photoshop…

world webbers
The Webber’s finished text written up ready to be scanned and added to their chosen picture…

The writing process is something that is started with me and finished with their teacher in class. Once their story is finished the children then do a test shoot to work out their best angle of view, composition, timing, etc. Below are some of the test shoots done by the Webbers demonstrating their ideas…

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These practice images demonstrate composition and help the children work out props and pose- in this series it became obvious which hand the ball should be in and what the crop should be. This informs how they should pose their model for the final shoot. The Webbers chose to ask the school secretary, Mrs. Mockery to pose for their image. It was their responsibility to ask Mrs Mockery, plan her session and organise the props and costume.  This maintains their ownership of the work and reinforces their responsibility.

Here are some of their images from their shoot with Mrs Mockery…

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Below is their chosen final image- they liked the determination in Mrs Mockery’s eyes and the pose was good…You can still make out the symbols showing which country she plays for and what the actual sport is. I should also add that all the teaching staff loved seeing Mrs Mockery in the photographs…

The Webbers working with their teacher Miss Baird to choose their photograph...
The Webbers working with their teacher Miss Baird to choose their photograph…
world webs
World Wide Webbers chosen final image with their text

 

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Emotion, by Wild Wolves

I am going to use several of the finished images from the Talking Pictures project which finished at the end of June, to talk about how we made the work. With thanks to the teachers i got lots of the model release forms returned. We worked on the project for approximately 3 months and there’s more information about it in my previous post…

Bearing in mind the project ran from April to June and that is the busiest term for schools it was important to make sure that we developed a way of working that caused the least amount of disruption to the classes. We began with a few lessons to the whole class. The first time i met the children we had a class discussion on the power of photography and the power of the image. I showed them photographs by August Sander, Richard Avedon and Helen Levitt. We discussed the different cameras used by each of these photographers, narrative in photography, reading a photograph, labelling their subjects and in the case of Helen Levitt the morality of using a fake lens on the side of her camera to photograph her subjects without their knowledge. The discussions were robust and the children were engaged.

Many of the images from the shoot day with the Wild Wolves were just wonderful (to be fair all the groups worked hard on their shoot days). The model, C really embraced the role, blocked out what was happening around him and posed without inhibition. I added a selection of images from each group’s shoot to a closed album in flickr and sent it to the teachers. The children and their teachers were then able to choose the one they liked best. They were asked to consider which one best represented their story, and the one with best exposure, composition, and where the model was best posed. This was a democratic process done by the whole class which removed any decisions made through favouritism and also boosted the confidence of the models themselves. It made them feel part of a team working towards a common goal.

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Below is the final edit but i’ve also included a few other layout ideas the children and their teachers had to choose from…The exhibition images were always going to be 20×24″ so we decided on the text taking up a smaller space as it would always be readable at the selected print size.

Emotion, The Wild WolvesFinal edit

wild wolves2                      wild wolves1

Choice of edit with text on image.                             Choice of edit where text is below image                                                                                                                              

The children began with their practice shots. As you can see the day we worked on the practice shots the Wild Wolves had the luxury of working in a classroom! It allowed us to practice setting up the background stands and practice pose. From my perspective it’s also good practice for me to make sure that i am working to that delicate balance of demonstrating and teaching but still allowing the children full creative control.

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A few of the practice shots- looking at angle of view, crop, expression, colour cast, location and camera practice.

This images demonstrates how the Wild Wolves worked. All the group members took turns each at being the main photographer. As you can see this image was taken by a group member. I am demonstrating to E how to hold the reflector (most of the children found this to be the most boring job)! This image also demonstrates how the photographs can be taken anywhere with the right kit- in this case some cheap stands and black background. As earlier stated, space is at a premium in every school i have ever worked in so it’s better to work outside to avoid being shifted every 50 minutes which is never long enough to get set up. Working with natural daylight is also one of the best sources of light which adds to the quality of the image- finally look at all that space! No tables or cupboards or chairs to tidy away!

The Wild Wolves at work
Showing E how to use the reflector (this is, apparently the most boring job)!
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Mapplethorpe-inspired portraiture

“The guiding principle of ARTIST ROOMS is the concept of individual rooms devoted to particular artists. The collection of over 725 works includes major groups of work by seminal artists…

The aim of the collection is to create a new national resource of contemporary art that will be shared with museums and galleries throughout the UK so as to inspire new audiences, especially of young people.”Image

I recently did a workshop for West Lothian Council for their Robert Mapplethorpe exhibition at Linlithgow Burgh Halls. In 2008 , art collector Anthony d’Offay gifted his art collection to the nation and it is managed in partnership between National Galleries of Scotland and Tate.

My brief was to lead a tour of the exhibition and a workshop in self-portraiture which took as it’s inspiration from two specific self-portraits of Mapplethorpe; one mid-career and one towards the end of his life respectively.

For the gallery tour, I spoke to the young people about symbolism in art; specifically photography, the playfulness of Mapplethorpe’s early self-portraits compared to his last one, and we looked at how the search for perfection in the human form was a major influence on his work. We skirted around his life as an ‘out’ gay man living in New York in the 1970’s and 80’s, his Catholicism and his death from an AIDS related illness- these topics needed to be addressed because of his self-portraiture, and to give the young people attending a sense of the historical implications of his life- of him living in a different time from now.

The participants were all from James Young High School in Livingston and are studying art in 4th year. They were rather quiet and reserved during the tour which can at times be a bit unnerving but during their workshop they came in to their own, expressing their personalities, having fun, enjoying being photographed, expressing themselves in a safe and creative environment. The young people were given the brief to take two self-portraits showing their outward personalities and two showing their inner selves. I set up a black background and a white wall sufficed for the other surface. They chose which they wanted to be photographed against and worked in small groups to achieve their portraits. I set up two DSLRs as I did not want the workshops to be about the technical aspects of photography it had to be about expression and, in such a short time frame it was easier to set up the cameras for them. However they were responsible for shooting each other. All the images were shot using one reflector and natural light which came flooding in through the windows of the beautiful top floor of the Burgh Halls.

I cannot stress the importance of gallery visits, showing and discussing artworks, themes in art, stories behind the artworks and the artists themselves.

I have managed to get several model-release forms from parents to share their portraits with you. I was so excited to see the images produced by the group I just had to share- put simply they are all beautiful and there is a quality of vulnerability to of them, a sense of fun, of self-expression and exploration, a chance to share with others the different facets of their personalities. The young people were all sent copies of their images on disc and a print of their black and white 4-image collage but I have chosen to show their single colour images as I think I prefer these.

With thanks to West Lothian Council, James Young High School, Linlithgow Burgh Halls and especially Nancy Douglas.