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Emotion, by Wild Wolves

I am going to use several of the finished images from the Talking Pictures project which finished at the end of June, to talk about how we made the work. With thanks to the teachers i got lots of the model release forms returned. We worked on the project for approximately 3 months and there’s more information about it in my previous post…

Bearing in mind the project ran from April to June and that is the busiest term for schools it was important to make sure that we developed a way of working that caused the least amount of disruption to the classes. We began with a few lessons to the whole class. The first time i met the children we had a class discussion on the power of photography and the power of the image. I showed them photographs by August Sander, Richard Avedon and Helen Levitt. We discussed the different cameras used by each of these photographers, narrative in photography, reading a photograph, labelling their subjects and in the case of Helen Levitt the morality of using a fake lens on the side of her camera to photograph her subjects without their knowledge. The discussions were robust and the children were engaged.

Many of the images from the shoot day with the Wild Wolves were just wonderful (to be fair all the groups worked hard on their shoot days). The model, C really embraced the role, blocked out what was happening around him and posed without inhibition. I added a selection of images from each group’s shoot to a closed album in flickr and sent it to the teachers. The children and their teachers were then able to choose the one they liked best. They were asked to consider which one best represented their story, and the one with best exposure, composition, and where the model was best posed. This was a democratic process done by the whole class which removed any decisions made through favouritism and also boosted the confidence of the models themselves. It made them feel part of a team working towards a common goal.

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Below is the final edit but i’ve also included a few other layout ideas the children and their teachers had to choose from…The exhibition images were always going to be 20×24″ so we decided on the text taking up a smaller space as it would always be readable at the selected print size.

Emotion, The Wild WolvesFinal edit

wild wolves2                      wild wolves1

Choice of edit with text on image.                             Choice of edit where text is below image                                                                                                                              

The children began with their practice shots. As you can see the day we worked on the practice shots the Wild Wolves had the luxury of working in a classroom! It allowed us to practice setting up the background stands and practice pose. From my perspective it’s also good practice for me to make sure that i am working to that delicate balance of demonstrating and teaching but still allowing the children full creative control.

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A few of the practice shots- looking at angle of view, crop, expression, colour cast, location and camera practice.

This images demonstrates how the Wild Wolves worked. All the group members took turns each at being the main photographer. As you can see this image was taken by a group member. I am demonstrating to E how to hold the reflector (most of the children found this to be the most boring job)! This image also demonstrates how the photographs can be taken anywhere with the right kit- in this case some cheap stands and black background. As earlier stated, space is at a premium in every school i have ever worked in so it’s better to work outside to avoid being shifted every 50 minutes which is never long enough to get set up. Working with natural daylight is also one of the best sources of light which adds to the quality of the image- finally look at all that space! No tables or cupboards or chairs to tidy away!

The Wild Wolves at work
Showing E how to use the reflector (this is, apparently the most boring job)!
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Talking Pictures

The Football Flowers writing their story and enjoying some sun
The Football Flowers writing their story and enjoying some sun

I’d like to share a project I have been working on for a few months now, in a Primary school in the Falkirk area that received some funding to create a photography exhibition and book for the baton relay event cutting through Falkirk on the 24th June. The working title for this is Talking Pictures which gives you a good flavour of their project.

Up to this point the children have been writing stories which take as their theme the values of the Commonwealth Games. Now i am not a sporty person (to put it mildly) but it’s actually been more interesting than i thought it was going to be!

To begin with, and after much planning, I spent several sessions with the two P4 classes (aged 8/9 years) talking about photography and how, through observation, we can ‘read’ photographs. This has been an incredibly rewarding experience for me and demonstrated just how imaginitive and observant children can be when presented with an image and asked to discuss it. The planning with the teachers has been great  and we are about half way through the groups writing up their stories which they will then illustrate with a photograph. I have been getting feedback from the teachers about the children’s stories and they are very happy with them. I can see how the children’s learning in class is enhancing their work with me and the teachers can see how the ‘reading photographs’ exercises are enhancing the children’s learning too. Today one of the boys mentioned that they should use ‘wow’ words in their story (i had to ask what these are and they’re words like suddenly, immediately etc). I try to feed back to teaching staff when this happens.

It’s great to see a project working with all involved engaged and observing the progress bit by bit. Here are a few images of the children working on their story writing- when it’s sunny i like to take the groups outside to write, it frees up space in the school and let’s us all enjoy the fresh air (see above- below is their mind-maps, or hedgehogs)!

The Golden Scientists writing their story
The Golden Scientists writing their story

The next stage in this project is to think about how to bring these stories to life. I had the children do an ideas shoot for pose, and write a list of props and where their photograph will be taken. I have had them speak to staff members about appearing in their pictures, and ask around for certain props required. I have included a test shot for one of the stories since the football (acting as a substitute for a lawn bowl) obscures this pupil’s face sufficiently. We will be shooting in and around the school so teaching the children the value of cropping is been invaluable. Classroom space in this school is at a premium so we will be shooting outdoors in a marquee. The children will be in charge of taking the pictures (my job is to set up lighting and camera controls only)! Simultaneously, as the groups photograph, the teachers are re-working and hand-writing the stories in class. I will then scan the selected hand-written story and add to the image. As much as i would like to work with the children to teach them basic Photoshop it’s not possible at this time as it’s just too painfully near the end of term so i have arranged some CPD sessions with teaching and support staff in the new year. I hope to get parental permission to include as many of these finished photographs and stories, and of course will continue to document and write about this process as we continue, including quotes from the children and teaching staff. Time allowing.

World-wide Webbers test shot for their story, "My Granny is competing in the Commonwealth Games"
World-wide Webbers test shot for their story, “My Granny is competing in the Commonwealth Games”
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An Addendum…

http://www.huffingtonpost.com/2014/04/07/lucas-samaras-selfies_n_5098676.html?utm_hp_ref=arts&ir=Arts

Lucas Samaras was interviewed recently about his thoughts on ‘the selfie’, it’s superficiality and his objection to it. He also comments on Rembrandt…

“What is going on now is considered raw and therefore of interest to analyze. That diminishes the value of self-portraiture, especially when someone decides to see the difference between the professional and the non-professional, which is mostly junk. Many people have stopped searching for an intelligent, intellectual criticism. The selfie mentality demonstrates a very aggressive behavior: it’s like going to a museum and saying : “screw the Rembrandt.”

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the ‘selfie’…

I spend much of my time working with children and young people, teaching them various elements of photography and art, and i’ve managed to do this for almost ten years self-employed which i am very proud of. But i am aware that times are changing and in order to maintain a level of interest in children and young people i have had to start to use the word ‘selfie’. If there was any word i could banish from everyday use it would be that. In fact i struggle to even write it here. I detest it. It is a vulgar, narcissistic term used to refer to the taking of one’s own picture using a hand-held device and then, more often than not, sharing that image via social networks. Normally the images are badly taken with camera phones and granted the cameras in phones are considerably better than they used to be, it’s not their fault it’s the people taking them…

Pictures of young girls with their cheeks puffed up, one hip jutting out with their hand resting on it, drunken, regretful nights out in the pub, or boys with their tops off showing how hard they have worked down the gym. Just a few of the more common examples of what has now become a whole new phenomena in social networking being used by presidents, actors, tourists and just about everyone. The pictures they take say ‘look at me, look where i am, aren’t i having a great time?’ Very few emotions (apart from the standard gormless smile/provocative pout) exist in these images and so the visual cues come from what else is happening in the picture- what time of day is it? Can we tell what type of room the image was taken in? More often than not it turns out that there is, in fact no depth to the image  and what you see is what you get- just a quick shallow skim across the surface of someone’s life. It can be argued that you catch a glimpse of what goes on behind closed doors but i would argue that the images tend to be staged and give few clues- only what the taker wants us to see.

http://www.vulture.com/2014/01/history-of-the-selfie.html

The article above places some good context around the ‘selfie’ phenomenon (there are also some errors- Atget was not the crime scene photographer is was Wegee) but all things considered it gives good perspective from an arts point of view. Below is a quote from Kyle Chakya from the National #selfie Portrait Gallery;

““It’s less about narcissism—narcissism is so lonely!—and it’s more about being your own digital avatar.” Chayka adds, “Smartphone selfies come out of the same impulse as Rembrandt’s … to make yourself look awesome.””

They just used the word “awesome” and Rembrandt in the same sentence. I don’t think that was really what Rembrandt was thinking. I hope someone corrects him and perhaps does so in person and manages to take his phone off him so he sits and listens for three minutes.

As a portrait genre it is here to stay for the foreseeable future and so i have resigned myself to the fact that i will have to spend time correcting people when they say ‘selfie’ and ask them to use either self-portrait or auto-portrait. Whether i have worked with a group for several hours/week/months it makes no difference. I can enlighten them as to what it means to take pictures of people, and show them how to do it, and how to treat photography as a skill, an art form, and a tool for communication. But as soon as they go home and engage with social media and their friends, it’s back to the puffed up cheeks and duck face. I am happy to make a joke about this when i am working but it is part of a bigger picture of how to connect with people and how to maintain a sense of authenticity in one’s life when technologies are outstripping the need to or want to meet with people face to face and experience the sponteneity of conversation.

And here endeth today’s lecture. Because authenticity is too big a subject for now…

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Brocken Spectre

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I keep a running list of favourite words and things (mainly in my head) and sometimes I get the chance to use them as a basis for a series of images. I have been utterly obsessed with brocken spectres for several months (if not years) but haven’t been able to work them as an idea in to a project.

A brocken spectre is, in effect a selfish rainbow. It is the enormous magnified shadow of an observer, cast upon the upper surfaces of clouds opposite the sun. They were first observed in 1788 by Johan Siberschlag in the Harz mountains in Germany. They are an optical illusion created when  sun shines from behind an observer who is looking down on to cloud or mist. The light projects their shadow which falls on to droplets of water at varying distances from the eye causing a halo of colour like a rainbow. Because of the angle of view only the observer can see this rainbow effect and this is what makes it a selfish rainbow.

When I first learned about brocken spectres it reminded me of the selfishness and illusionary nature of social networking and digital technologies; of how we lack the technical knowledge and understanding of how networks are created, as if they are some sort of ethereal experience which they are not. I have developed a deeply cynical view of social networks and am an unwilling participant (I am not a luddite)!

I have wanted to produce a series of images of people interacting with technology and the one idea I keep coming back to is that of the sitter being lit only by the light of the device they are interacting with. I like to imagine how Velazquez or Poussin or Rembrandt would have worked had they lighting choices other than candlelight or daylight?

My Thursday group and I visited the National Museum of Scotland a few months ago and whilst there I took the photographs below. I was struck at how the light from the small screens brought out the features of those in the image, and I also rather enjoyed the space landscape in the background- a simulacrum which only adds to the idea of modern life as rubbish (Baudrillard). The images below are simply ideas- they are not formed finished images but just the start. I get the irony of shooting these pictures with an iphone, and I will shoot the finished project with my DSLR which will only add to celebrate the selfishness of technology, But, lest we forget, once upon a time photography in it’s infancy was cutting edge technology, as was the development of ready mixed paint available in tubes, or the use of perspective…

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Reflections

invite-reflections

The HYPE group currently have an exhibition of photography, collage and painting at Armadale library (until 31st October). The work was created for the Scottish Mental Health Art and Film Festival. We took as our ambiguous theme the idea of ‘reflections’, allowing participants to interpret this brief as they wanted. Photographs were taken at a variety of locations in West and East Lothian and we used small round mirrors to reflect ourselves and our environment. Participants were encouraged to take photographs of each other and, as for all my workshops, the fake, smiley thumbs up pictures were banned making those being photographed think a little more about how they want to be portrayed in the images. Luckily there are so many beautiful spots to photograph this helped distract from the actual act of being photographed! I have included several of their portraits of each other and a few additional images taken by the group.

The collages began as line drawings from photographs. Participants then filled these drawings with paint, proline markers or samples of wallpaper, chosen by them and carefully cut to size. It was very restful making the collages and this produced a very nice atmosphere in the group.

Below is a gallery of (bad ifone images) of participant’s work with their comments on the work they have created.

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C, aged 15

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Back in January of this year I was working for two separate organisations delivering art workshops to children and young people excluded from mainstream education (primarily behavioural issues). I took this photograph of one of the boys during our photography class and promptly forgot all about it. I often felt like this after the classes. No matter how hard I tried to find that hook to get their attention- get them interested, find what they were interested in, I struggled to have them focus for more than a few minutes. My projects are always participant-centred; I find where their interests lie and tailor projects to fit but when that stage becomes challenging projects no longer become about their interests and this can have an adverse effect on the work produced. At this point my involvement becomes more about the experience than trying to produce an outcome which isn’t necessarily a bad thing.

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Camera Obscura

Camera Obscura

Been covering classes for the head of the photography department this week. We agreed that I could teach image formation. So I trashed his room by turning it in to a Camera Obscura and had the students sit around in the dark. This is a photograph taken by a student of the image projected in to the room. I have worked on it in Photoshop (flipped 180 and mirrored for a more dramatic result- I’m not correcting the perspective).
It was a good lesson and obviously there was a lot more to it than have them sitting in the dark staring at a dull image projected on to the wall. Hopefully the learning will have sunk in!

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Andrei Tarkovsky

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Stalker, 1979

 

I’ve been back a few weeks now and settling in to new work challenges and the cooler climate. I started watching the Dogma 95 series of films again, which led me to discover the works of film maker Andrei Tarkovsky who is a huge influence on Lars Von Trier. I am now going though the seven films Tarkovsky made in his lifetime which are all available to view for free online. They are beautiful, intense and loaded with metaphorical references and his distinct cinematic style is changing the way I now view cinema. He wrote several books on cinema and, with time I look forward to reading more of his thoughts and ideas which, just like his films will act as a source of inspiration.

Below are a few quotes from Tarkovsky…

“An artist never works under ideal conditions. If they existed, his work wouldn’t exist, for the artist doesn’t live in a vacum. Some sort of pressure must exist. The artist exists because the world is not perfect. Art would be useless if the world were perfect, as man wouldn’t look for harmony but would simply live in it. Art is born out of an ill-designed world.”

“I think in fact that unless there is an organic link between the subjective impressions of the author and his objective representation of reality, he will not achieve even superficial credibility, let alone authenticity and inner truth.”

 

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Picasso speaks

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“Among several sins I have been accused of committing, none is more false than the one I have, as the principal objective in my work, the spirit of research. When I paint my objects it is to show what I have found and not what I am looking for. In art, intentions are not sufficient and, as we say in Spanish, ‘love must be proved by facts and not by reasons’. What one does is what counts and not what one had the intention of doing”

Picasso Speaks, 1923